Microphones
LDC:
1* Horch 2J – Custom K47 capsule
1* Horch RM2 – Custom CK12 capsule
(1960’s Telefunken AC701 Microphone Tube)
1* Microtech Gefell M92.1s
1* Microtech Gefell MT71S
1* Neumann Gefell M582/UM70/Tube
2* Microtech Gefell M 930
1* AKG C414 XLS
2* Milab DC-96B
1* Mojave Audio MA-201 fet
1* Rode NT1
1* Rode NT1
1* Neumann TLM 127
1* Violet Black Knight
1* Oktava MKL-2500
1* CAD Trion 8000
4* CAD M179
SDC:
1* MILAB – VM44 Classic
2* Milab LSR-2000
2* Microtech Gefell M295
2* Neumann RFT Gefell MV 692 / M70
2* Schoeps CMC5 & MK4
1* Lewitt LCT 140 AIR
Ribbon:
1* AEA R84
1* AEA R88 mk2
1* AEA N22
1* Royer Labs R-121
1* Royer Labs R-101
2* Bang & Olufsen BM3, 1965
Dynamic:
3* Audio Technica ATM601a
2* Audix D2
1* Audix D4
1* Audix D6
1* Sennheiser MD 21
1* Sennheiser MD 421
1* Sennheiser MD 441
1* Beyerdynamic M 201 N (C)
2* Beyerdynamic M 422 N (C)
4* Beyerdynamic M 420 N (C)
5* Beyerdynamic M 88N(C)
1* Electro-Voice RE20
2* Shure SM 7 B
2* Shure SM 91
2* Shure SM 58
4* Shure SM 57
2* Shure 545
1* AKG D 1200
Outboard
19″ und 500:
2* IGS Audio Alter FET Compressor
1* Q2 Audio ADR F-765 FET Compressor
1* Valley People dyna-mite VCA Compressor
2* Aphex Comp 500 Optical Compressor
1* IGS Audio One LA 500 Optical – Teletronix ’68 Audio Path
1* IGS Audio 576 Blue Stripe FET Compressor
1* Focusrite Red 1 500
1* Massenburg GML 8200 EQ
1* MÄAG AUDIO EQ4M™
1* Waves MaxxBCL
1* Audio Design F769X-R Vocal Stresser
1* Summit Audio MPC-100A Tube MicPreamp Compressor
1* Summit Audio DCL-200 Tube Leveling Amplifier
1* MANLEY Stereo Variable Mu Limiter Compressor
1* Empirical Labs Fatso – EL7 Tape Simulation und Compressor/Limiter
2* Empirical Labs EL8 X Distressor Compressor (Brit Mode)
1* Empirical Labs EL8 Distressor Compressor
1* C2 Dual/Stereo VCA Compressor
1* Audio Design F-601 RS Superdynamic Limiter
(VCA mit Delay Line Control Unit)
2* Warm WA76 Mono Compressor
3* DBX 160A Mono Compressor
1* Drawmer 1973 – 3-band FET Stereo Compressor
1* Drawmer 1978 – Stereo FET Compresor
2* Drawmer DS501 Noise Gate
FX:
1* TC Delay D-Two
1* Bricasti M7
1* Eventide H3000 Ultra-Harmonizer®
IO:
1* Preamp Midas XL48
1* Direct Out Prodigy.MC SoundGrid 96k/64IO
1* Neve Summing 8816
Monitoring
Control room speakers:
ATC SCM 110 ASL
DUTCH & DUTCH 8c
ADAM S3A
Auratone 5C Super Sound
Yamaha NS 10
Audient Centro
Studio Headphones
Audio Technica, Ultrasone, Beyer, Sennheiser, Big Phones; KRK
Headphone Routing
POWERPLAY 16 P16-I
8 * POWERPLAY 16 P16-M
2 * Presonus HP4
1 * HA4700 Powerplay Pro-XL
Rehearsal Monitoring
Monitoring Feed über Regie/Midas
Für Selbstmischer lässt sich für das Monitoring auch ein Kleinpult einsetzen.
Allen & Heath SQ-5
Behringer X32 Compact
d&b audiotechnik E12, M6, E-PAC
Console
MIDAS XL 4
Custom Midas XL4 with a TT-Patchbay for all insert, group, master and aux patching.
Features
- 32 * Mic Inputs / Line Inputs / Direct Outputs
- 16 Audio Sub Groups
- 16 mono Aux Send
- 4 Stereo Aux Send
- 4 band fully parametric EQ
- Input/Output Metering
- VCA and Mute Busses
- 16 Group Aux Inputs ( 48V Mic/Line )
- Matrix
- Automutes
- 10 Input VCA Faders
- VCA Moving Fader Automation
